The Innocent Have Nothing to Fear – Extract

The Innocent Have Nothing to Fear And Other Stories of Chilling Modern Horror Fantasy is a collection of ten horror/urban fantasy short stories available to buy on Amazon here. Below is an extract from one of the featured stories Thou Shalt Not Suffer.

Thou Shalt Not Suffer

‘I can’t do this anymore.’
There is a room in darkness; the only light the blazing flicker of a TV screen, HD colours reaching out from beyond the liquid crystal display. There is an armchair in the room drawn up close to the TV. There is a cat and a terrarium with a big warty toad crouched on a smooth stone, regal as a dragon. There is a woman. She strokes the cat, her eyes glued to the TV. She is smiling a rictus grin.
*

‘This was a mistake.’
She can smell the gas. Her wrists and ankles are strapped. There is a strap across her chest and banding her forehead. She cannot move. The ceiling is very white like an operating theatre. The walls are clear ceiling to floor Plexi-glass. The gas is coming from vents in the ceiling. There are other holes in the floor. She cannot see them because she is strapped to a stretcher in the middle of the room but she knows they are there. The flames will come from the vents in the floor.
Tears leak, steady as a tap, down her face. They tickle as they wriggle past her earlobes. She is numb with terror. Panic mounts. She thinks she could pull loose of her body and float like a helium balloon to the ceiling. She wishes that she would.

She cannot turn her head but movement flickers in her peripheral vision. Beyond the windows people are taking seats in the auditorium outside the tiny glass room. The prosecuting lawyers. The Pontiff’s representative. The witchhunters. Keith’s family.

How many people are out there? How many people are going to watch her burn?

Her sobs are muffled by the thick leather mask covering her lower face. The metal grill allows her to breathe and makes her look like Hannibal Lector. They put a sack over her head when they wheeled her in through the baying crowds outside but the witchhunters removed it when they installed her in the room. They want her to see the gas ripple in the air. They want her to see when the room explodes in flame.

*

You can read the rest of Thou Shalt Not Suffer in The Innocent Have Nothing to Fear

Short Story – Whiplash Road

(Whiplash Road won 2nd Prize in Writer’s Magazine “Journey” Short Story Comp. Find Entry and Judges Comments HERE)

Your feet are wet. Your body cold. Your neck hurts. The road is dark; rain glitters on the asphalt, studding the blacktop with a million broken stars of light. Night chill pinches your bare arms. You look down the stretch of road in front and behind you, watching for a car. You need a ride and you’ve lost your phone.

You walk along the grass verge, heels clasped in your hand. Stupid, stupid Tessa. You should’ve gone home with Jason. It’s not like the fight was that bad. Now you’re stuck out here alone in the dark. And the wet. And the cold.

You’ve ruined your dress. There’s mud all up your legs. Your hair is a complete mess. You’re cold. Really cold. Did I mention that? And as for your neck? You’ve only gone and wrenched it bad, haven’t you? The back of your scalp’s all tingly, like icy needles are pricking through your skin and spilling melt water down your neck.

It’s been a horrible evening. Which is a crying shame because you were really looking forward to the dance. Retro, it was. A proper old-time bop. You did up your hair in victory rolls and your lips are fire engine red. Your skirt is out to here. Such a good find in the charity shop. You were so chuffed when you found it. Actually, you were feeling really special when the evening started. Then Jason had to ruin it.

Couldn’t stop whining about the footie. Couldn’t get into the swing of things and throw you over his shoulders and through his legs like a supportive boyfriend should when Ella’s playing. Then he went on and on about how everything has to be your way and you never want to do any stuff he likes. Well, obviously. Jason’s boring. All he wants to do is watch sports and play video games. And not with you, neither. Not after that hissy fit about the highest score and a certain someone’s power up bonus. 

Look, you tried to share his passions. You really did. Ask anyone. They’d all agree. You were completely committed to gaming nights with him. It’s not your fault you were a better player after three weeks than he was after three years.

It was dumb though, refusing Jason’s offer to drive you home. And the funny thing is you can’t remember much about the argument now. Or how you got out here. Wherever here is. It’s like the middle of nowhere or something. Really creepy. The trees are all pointy and shaggy; firs, you think. An owl is hooting. There should be a full moon. And a witch flying past on a broomstick. Instead, there’s rain sheeting down and you’ve got an awful crick in your neck.

It’s the cold that’s the worst. You are so cold, Tessa. Scary cold. Sleepy too. You feel all loose and weird. Like nothing connects quite right. Floaty, almost. Maybe you’ve got hyperthermia? You should be feeling all sorts of nasty stuff under your feet. Dirt and stone and maybe even broken glass. But all you really feel is the cold and the wet and the dark.

Yeah, the dark. Seems strange, doesn’t it? That darkness should have a texture and a weight, but you can feel it. It sticks to you like tiny burrs, rolling up in your skin and rubbing bits of you away as you walk.

Suddenly there is light. It fills your world. You move like you’re in a dream, stepping out into the road like a nitwit right in front of an approaching car. There’s a moment as the car bears down and the light consumes you, burning through your eye sockets and lighting up the darkness inside your skull that memory tingles.

There was another car, wasn’t there Tessa? It’s engine a roar; its lights so bright. You tried to flag it down. The driver didn’t you see. He couldn’t have seen you. Or he would have stopped, wouldn’t he?

This one stops. Driver’s window slides down with a soft hum. An elbow on the door, a face in the dark. ‘Where are you headed?’

Where are you headed, Tessa? It’s been a long night, walking the road. You’re cold. Can you remember?

Words are a long time coming. You don’t sound like yourself. Your voice is as cold and as lost as you feel. ‘Edenbury Avenue, Little Forthay.’

A smile. ‘I know Little Forthay. It’s on my way home. Get in.’

You get in the back. The upholstery is fuzzy. The car is clean and dry. It should be warm but you’re cold. You look out of the window as the car starts. The darkness clings to the glass, smearing it with slithers of rain.

‘You mind if I listen to the radio?’

You say nothing. You’re sleepy. The seat’s headrest puts pressure on your neck. The back of your skull feels wet and slippery. You watch the world go by.

‘That’s some party frock you’ve got there. Fancy dress, is it? Near scared me to death when I saw you. Thought you were a ghost or something.’

You’re starting to get travel sick. Your skin feels tight over your bones. Your neck throbs and cold stabs your heart. You have a strange feeling, as if a great hook is lodged in your chest and with every mile the car eats up you feel an invisible rope draw taut.

‘What were you doing out on Old Fork Road at this time of night?’ the driver berates you in fatherly tones. ‘It’s not safe. The Council should put in streetlights. There are too many accidents. In fact, there was a nasty hit-and-run only last week. A young girl. Hitchhiker, just like you. You just can’t be too careful these days.’

A sharp wrench. A painful yank. Bright lights flare in front of your eyes. Pressure slams into your chest. You taste copper on your tongue. The driver twists to look into the back seat. The rope hauls you back. Your neck snaps forward.

You’re back on the road. Your feet are wet. Your body cold. Your neck hurts. Your chest feels like an empty cavern. The rain has stopped. The moon is out. No witches, though. You walk along the verge, shoes in your hand. Your dress shines white.  You need a ride and you’ve no one to call. The darkness seeps in through your pores. It weighs you down. You can’t feel your feet. You watch the road for lights.

‘Where are you headed?’ the driver asks. Is he the second? The third? You can’t remember, Tessa. Why can’t you remember?

‘Edenbury Avenue. Little Forthay.’

The car is cramped and dirty and the inside smells like oil. There is a blackened banana peel on the back seat and a dirty t-shirt on the floor. You slip in without disturbing the crisp packets underfoot. You can’t tell if it is warm or not. What even is warm? Whatever it is, you’re not it, Tessa. You’re cold as night. Cold as the road. Your chest feels tight already. Your head hurts terribly.

‘That’s a pretty dress,’ the driver leers through the rear-view mirror.

You watch the world go by. Everything is silver gilded and cold. The hook in your chest digs a bit deeper. You can feel the pull of the road. The night. The darkness.

‘Not much of a talker, are you? Here. I’ve got an idea. Why don’t I pull over and you come sit up front with me? Warm you up a bit, eh?’

The driver turns. The rope pulls taut. Your neck snaps forward. Bright lights. Pain. Copper on your tongue.

You are back on the road. Your body is cold. Your neck hurts. You can’t feel your feet. You walk along the verge. You wait. The darkness fills your chest. You look for bright lights.

‘Where are you headed?’ the woman asks.

‘Edenbury Avenue. Little Forthay.’

The car is clean. A baby seat waits beside you. You wait for the snap, the pull, the agony. The darkness runs alongside you, keeping pace. The lady doesn’t talk much, but she watches, worry reflected in the rear-view mirror.

This time you make it all the way to Little Forthay. The luminous village sign welcomes you and warns you to drive carefully. Buildings rear up on each side of the road, pushing back against the dark. The road gives way to a roundabout. You start to hope.

‘Did you say Edenbury Avenue?’ the woman driver asks. ‘Isn’t that where they built the new crematorium?’

The hook gouges. The rope pulls taut. Your neck snaps forward.

You are back on the road. Your body is cold. Your neck hurts. There are flowers by your feet. Bouquets wrapped in cellophane. A sad little teddy bear. Water-logged cards gone pulpy and unreadable.

You walk along the verge. The darkness cocoons you. You need a ride. The road is long. You wait for lights in the darkness.

‘Where are you headed?’

The car is a van. You sit up front. The dashboard is covered in cigarette ash. The inside of the cab smells greasy. The driver puts his hand on your thigh. You don’t feel it. You look out of the window. You don’t see anything. The driver swerves and pulls over. He reaches for you.

The rope pulls. Your neck snaps. You are back on the road. Your body is cold. Your neck hurts. The flowers are gone and there is a streetlight standing tall in their place. Its light does not reach you. You walk along the verge and you wait for someone to take you home.

Interested in reading more of my weird and creepy stories? The Innocent Have Nothing to Fear a collection of ten horror-fantasy tales is available on Amazon

Haunt Anthology – Out Now

My short story One-Eyed Queens and Crocodile Teeth is featured in Haunt anthology from Dragon Soul Press available on Amazon. Below is an extract from One-Eyed Queens and Crocodile teeth.

They say that in the land of the blind the one-eyed man is king. But you say bollocks to that, don’t you Cheryl? You’ve never had much time for kings. Nor men, for that matter. And seeing? Well, the blind don’t know how lucky they are.

Your problem’s always been the same. You’ve always seen too much. You see it all. The twisted bodies of the sprites that jump from tree branch to tree branch in a storm. The faces in the wind and the shadows at the periphery of the brightest day. You see the darkness and the darkness sees you.

But you managed. For years, you managed. You were nimble, you were tough; you saw it all and you asked no questions. Monkey sees, but Monkey don’t talk. You survived. You thrived. You were the one-eyed queen in the dark.

You cleaned house for the monsters, learning the lesson of every soul that’s ever been weak amid the strong and the mean; when you can’t fight and you can’t run, be useful. And you were. When wicked old Mr. Watkins guilt came for him, you were there, wiping the tiny finger trails off the windowpanes and ignoring the way the condensation ran like tears.

You spritzed and you squirted, you wiped it all away, but the fingers lingered, scraping invisible patterns over the pane as you turned your back.

When the shadows in the room sniffled and pawed at the smudgy walls, when the reek of ammonia and terror clogged your nose, you whipped out the polish until the room smelled like an orange grove in Andalucía. You scrubbed the walls until they shone like ivory. You swept trapped sobs from between the slats of the Venetian blinds and let them drift as dust to the carpet before you got the Dyson out.

When the cupboard doors rattled in the toy maker’s workshop, you kept your head down and never opened the doors. You never looked into the weeping eyes of all those little wind-up boys and girls with their too life-like faces. ‘Cuz you knew what you’d see.  But nothing gets the stink of evil out of the air, does it, Cheryl? Nor stops fear from leaking into the floorboards or terror from rising up the walls like black rot.

Though you surely tried, didn’t you?

If you would like to read more of my work you can find my horror-fantasy short story collection The Innocent Have Nothing to Fear on Amazon

Short Story – The Unforgotten Queen

I come hither not to die, nor to live. This journey I take is neither penance nor punishment. The destination no more fitting a place to wile away eternity than any other, but far better than that place that all souls, sinner or saint, fear most. If you have come to meddle in my case, I pray that you judge for the best. There is little point in anything else. This journey will go on, no matter.

We go to Blickling Hall, Norfolk this dusky eve, for it is nineteenth of May and what must be, has come to pass long since. The coachman drives hard, it’s true, but we will make good time, the winds of hell at our back. A good thing too, as my father has need of this same carriage. He and I pass every year on this date. I to return to the place of my birth, even if the brick and mortar are younger than I, and he to leave its shelter to chase the night and outrun the cockcrow dawn. There are many bridges to cross between Aylsham and Wroxham and cross them all he must, though only the good Lord knows why. He and I are long beyond pushing against the tiller of fate.

Do not look out of the window, my dear friend. The night will show you naught but horrors. There are wild hunters out this night, and the dead are always in need of company. I will not share you with the shadows. Do not avert your eyes from me either. It has been too long since I’ve anyone to talk to. Your mind shies from the sight of me as I am, I fear. But I am as death has made of me. No more and no less. What are any of us, I ask of you, if not greater than our constituent parts? My fate was to be sundered; my life chopped short according to the law, and by the law I was judged, my youth made forfeit. My head may no longer ride upon my shoulders, but I assure you I have kept my wits. 

You know me, even if my true face has been forgotten, stricken from the record. But let us not stand on ceremony. My name has ridden the centuries to reach your ear. I was fated to marry my cousin and reside as a lady of Ireland, but ambition led me on a merry path to higher and lower places. I set my eye on a duke and fell far short before a crown sat upon my head. I kept that not long. Alas, my little neck could not take the weight. Soon crown and head both toppled. I ask that you not judge me ill that I could keep neither. When the toll of fate is asked, we all must pay up.

Do not fear the jostle of the carriage. We ride the night with the wild things. This is my eve. I return to a place I never lived to walk galleries and linger within libraries that pretend to remember me. I am history’s bride now. On this day I was, and will be, put to death, in an endless parade of once and forevermore. I travel in haste to nowhere for no purpose. I march to history’s tune. I am here and there and nowhere. Is this fate, I ask, or merely what happens to those of us whom fate has used for sport?

HA. HA. You flinch at laughter, do you? Would it surprise you to know I once proudly proclaimed myself the most happy? There were many who derided me. HA. HA. Initials that begged ridicule. In the jeers of the common folk lurked the whispers of my fate. I claimed much, but delivered little and according to the law, and by the law, I was judged to die.

Now I am to be neither judged nor offered reprieve. I ride the night, a passenger on a pointless journey. I wander the halls of Blickling and I wait for the dawn of the day I died as if waiting for life anew. Yet like Tantalus, resurrection dangles before me, just out of reach. My father will cross twelve bridges, racing for absolution that will never come for he or I, but I am resigned to ride toward lost home, my wins and losses all in the past.

You know me, I am Anne. I held the heart of a king and then I lost my head. I hold that now in my lap, but of my fate, I never had control. I once thought that I did. I who charmed rival kings under canopies of gold and danced in yellow to celebrate death. I made enemies, but it was my lover who killed me. I will speak nothing against that. The Frenchmen’s blade has silenced my tongue on that tale. History has never cared for truth, and my fate was not cast in innocence so let those dark deeds be unremarked upon in this place. Our mad journey shall be all the more pleasant for it.

I wonder when I will take my leave of this world. Every May nineteenth should be my last, but never is. This carriage and its headless horseman always find me and carry me forth to Blickling Hall. The horses run heedless through eternal night, taking me to a home that was never mine, to walls that never sheltered my swaddled self, to memories that lay claim to my legacy all the same. Anna Bolena hic 1507. Or was it 1501? It matters not, I have been dead more years than I could ever have hoped to live. The queen is dead, long live the queen, indeed. I have ever been Fortuna’s puppet.

You ride with me to witness fate’s long reach, I suspect. Destiny wants to display her handiwork. This is what happens when memories do not die, when the reach of time stretches too far. When that which is done, is not allowed to be over. O lord have mercy upon me, would that God have pity on my soul. This is a tiresome fate, to exist enshrined in the minds of distant strangers. I was once a pariah queen, now I am ascended to myth and mystery. This carriage, this night, the coachman and his headless steads, we are all prisoners of time out of joint. We are stories undying. Fragments of a greater truth that alludes even me.

I keep my head, regardless. I was taught deportment in the court of Queen Claude. I learned my letters in France, where style ruled even kings. You will note how well I carry my head, neat and tidy, in the crook of my arm. You will note the finery of my carriage – and it is mine, no matter what my father uses it for. The headless horse man always comes for me first.

HA. HA. Initials entwined, a joke that was made in earnest. A union that in these confines cannot be sundered. That which was, remains here. I have become a constant, in the way that all things past are. It could be said that in death I have learned my place. Unlike my father, who runs too late. History remembers him far more poorly than I. His fate is to race from his home as if time might favour him, but all know that he hid as two of his children lost their heads.

My death has been gentler, I must admit. I travel. I am rarely tormented, as once I was in life. Sometimes I go to Marwell Hall, where I preamble upon lawns that once my husband trod with she who would replace me, while in life, I waited to die. Because even in death I am not without a sense of humour. There is some merit in roaming those paths, when his and her footsteps are stilled forever. Ambition failed me, but history has become my friend. It has written me into stories not mine, long after my own was severed.

Hever was my home, where Blickling was not. I reside there at Christmas, where my oak waits for my return. We two relics of history reunite from time to time. History keeps my memories now, and time shares them freely with strange new friends like you.

The tower was my prison and my doom, I prefer to travel far from its chapel and its sombre stone keep. But sometimes, I will linger in the quiet places where my prayers did not ascend. Do not ask me of the green. The scaffold. The coin for the French swordsman. The blindfold. The crowd who watched me lose more than my crown. I took my leave of that moment at least, and while Jesu has yet to receive my soul, I must still give praise for small mercies. Should you look upon the green, you will not find me there.

We are past Aylsham now. Soon we will arrive at Blickling Hall. The grip of time is a strange thing, is it not? How fast it runs and yet, like a dry riverbed, it can also leave no mark upon the land. It clutches tight to me, I confess, but its imprint can be light as the syllables of old place names. Meaningless and trite.

This land is ancient, but its roads are unfamiliar. I was born here, and yet I will always be a stranger abroad. There is no help for it, alas. This coach races its own course. The headless horseman knows his path. The vagaries of a changing world mean nothing to one who is fated to roam. Not that we speak of such things, of course. He has no head for conversation.

I used to like to talk, to laugh, to enjoy good company and fine entertainment. Some may say this was my undoing. They would be wrong. Life runs as it will and death claims all, even if, in my case, I have been forced to take a meandering path toward eternal rest. We are none of us masters of our fate, and the great wheel is always turning. It raises us high and drops us low.

It is a shame you did not join me at Hever, we could have been merry there. It is good you did not meet me in the corridors of Windsor. I am quite the terror there. I have a temper, you see. I quite lose my head at times. O, do laugh. I may be a headless horror but that is no reason to be so dour. This ride will not last forever and one must always laugh while one may. None of us know what tomorrow brings, and some are fated to never see the dawn.

Here we come. Blickling Hall. We shall make quite the entrance, as is only proper. The coachman may not be pleasant to look upon, but he leaves an impression. Here comes my father, running from his sins, racing against the dawn. I require you not to judge him too harshly. It matters not, for he and I, for good or ill, are beyond your prayers or your condemnation.

I leave you now with these words only, if you would meddle in my case, I require you to judge the best, for fate is uncaring, and history relentless. All too quick, can one be lost in fortune’s merciless hands. I heartily desire that you, kind soul, shall never know what it is to rise too high, to blaze too bright, lest you too suffer the fate of the unforgotten.

(All images public domain. Cover image created with Canva free to use images)

The Innocent Have Nothing to Fear – Extract

The Innocent Have Nothing to Fear is a collection of ten horror/urban fantasy stories available on Amazon. Below is an extract from the title story.

The Innocent Have Nothing to
Fear


On the way to Debenhams Department store Lorraine saw the billboard. The Innocent Have
Nothing To Fear it screamed all in bold black and white as the bus rounded the
corner into the terminal. Lorraine shivered and tried not to notice the
scrabbling sounds coming from her handbag as Manicure made herself comfortable.


You are entering a Zero Tolerance Zone, public notices warned her as she walked
through the shopping centre. Shoplifters will be prosecuted to the full extent
of the law, another sign in a shop window proclaimed proudly. Underneath the
warning the image of a hand, palm front and fingers slightly spread in the
universal halt sign blazed a haunting red. In the depths of her handbag
Manicure curled into a tight fist.


Tammy noticed that Lorraine had stopped dead in front of the sign.
‘You alright love?’ She asked reaching out to give her friend a quick
shoulder squeeze and trying not to notice that Lorraine felt like granite under
her hand. ‘Not to worry, eh?’ She persevered. ‘It’s just criminals, yeah? It’s
like the sign says. We’re innocent so we got nothing to worry about.’


On the way to Bianca’s Café for tea and cake both women tried to ignore the
handless beggar in the doorway of an abandoned shopfront.


Lorraine had never cared much for politics or current events so it was a bit
odd when she started religiously watching the news and following several online
commentaries about Zero Tolerance, the new initiative to improve British Values
(deliberate capitalisation. These were the sort of values that demanded
respect, not like your common garden variety decency).


‘We need to cut crime dead in the early stages,’ a spokeswoman said. ‘Crime
is an addiction. A sickness that takes the mind one small misdemeanour at a
time. It’s just a stone throw from shoplifting to rape.’


‘We’ve gone back to the Dark Ages,’ an anti-Zeroer on Newsnight shouted to
be heard over the audience booing. ‘What the government is doing is a Human
Rights violation. They are the real criminals we need to root out and expose.’


‘Turn that off would yer?’ Mark muttered. ‘I get enough of them bleeding heart
liberals at work. You know them protesters are using drones to drop red paint
on us now? Don’t know why the police don’t arrest ‘em. I’d sure like to see ‘em
in the chop room that’s for sure.’

Mark smirked but the smirk swiftly
died on his face when Lorraine swivelled
her head around to stare at him with dark ringed eyes. That was all she did.
Just bloody stared.

Read more in…. The Innocent Have Nothing to Fear Amazon

Short Story: The Attic at the End of the World

There comes a point in every apocalypse when everyone must ask themselves what the real price of survival is and whether it’s worth it. That point arrived for me about five minutes in. Crammed into my attic with the spiders, my cats and more bottled water than an environmentalist would approve of – which I admit, was not a masterpiece of planning on my part – I had nothing much to do but contemplate existence. I’d already gone through the blind panic stage, you see. That’s how I ended up in the attic with my cats and the water. And the perishables from my fridge. And some pot noodles. Which I can’t boil up.

Anyway, it was in those first four minutes in the dark of the attic breathing in the strange smells of a part of my house I’d never been in, all stale air and strange drafts and resin-y, woody oddness that I learned that true terror waxes and wanes. Like a moon. Or human existence on the planet. Although with that last one we didn’t so much wane as…well. You know.

The signs were all there. We even noticed them too. There was lots of chatter online. Articles were written; some of them were even true. Pundits talked. Argued. Issued apologies. Retracted apologies. Officials made statements. Press conferences were held daily. Influencers sold branded survival kits. It was all going on. But the slow slide toward Armageddon was a little on the quiet side.

A lot of whimpers, not so many bangs. Everyone had been expecting the bangs, see. What with the war. The epidemics. The state of the economy. Everyone knew we were headed for the skids. But when it happened it was so much like everything else people just got on with their lives. We’d all learned to live around the edges of disaster. We’d been doing it so long by that point.

Thinking about it, the big problem was that no one could imagine that this would be it. The real, proper end. We’d gotten used to living on the edge of destruction; I think we thought we’d always scrape on by. Still. We probably should have reacted faster to the ooze. And that thing with the eyeballs. In fact, definitely that thing with the eyeballs. That was just weird. And awful. I saw it happen in the supermarket. The eyeball thing. In the fruit aisle. Pop-squish, just like that all over the bananas.

It is frankly amazing how quickly you can get used to exploding eyeballs. I’d say it was horrifying, and probably, the internet’s fault. Most things are, after all. But the truth is I think it’s human nature. We survive, we adapt, we conquer, we multiply. Until we don’t.

No one was really surprised that the big finish for mankind was manmade. Who else was going to do us in, aliens? No, humanity was always going to be our own ruin. But it wasn’t the icecaps melting or the rainforests burning that did for us. That’s why we didn’t quite see the danger in front of us. I mean, how could we? It was all so unlikely.

At least that was the conclusion I came to in the final minute of the first five minutes of the apocalypse. Or, my personal apocalypse anyway. I don’t know what’s going on outside. I don’t know if there’s been a proper announcement. An “abandon all hope” sort of thing. There’s stuff going on below me, in the streets. I can hear that well enough. It might be ooze related. It had got into the waterworks last I heard. But it might not be. The apocalypse is multifaceted. Like an unholy amorphous squid of death and destruction. I mean that literally. That’s what happened in Liverpool.

The cats aren’t happy, but then neither am I. I’m afraid to die but the thought of facing what’s out there’s worse. I’ve come up here to die. I can admit it. A slow, isolated death is what I thought I wanted when I scrambled up the ladder, flailing about and whacking my knees and funny bone. It seemed like a good exit at the time.

My cats will probably eat me once I’ve starved or dehydrated to death. I should probably let them out. I think if any creature could survive this to inherit the Earth it’s the domestic shorthair. But I’m too afraid to move. Things make noises in here. I don’t know what they are. Some of it is pipework, I think. I didn’t think to cut off any of the utilities before scurrying up here. Didn’t see the point. There might be ooze in the pipes. There probably is. It’s everywhere else, after all.

What was that? Shattered glass. It sounded close. There’s a lot of shouting. It sounds really bad. Even the cats have shut up. I’m scared. The terror’s back, full wax. I don’t want to die. I liked my stupid little life. I like my eyeballs. I like the world. My thoughts are splintered. I’ve gone all Walt Whitman in fear. My brain contains endless contradictions. There’s no one going to come and save me and that makes me want to chew my own fingers off. But I’m equally petrified that someone will come. That I’ll be found, hiding here in the big empty dark of my attic. I forgot to bring the cat food and that – of all things – makes me cry.

I do it silently. I’ve seen the news. I’m afraid of what’s out there. Because the end was people, you see. And not even in the obvious way. This isn’t war. At least, not any sort that the army could deal with. They got outplayed, see. They didn’t know the rules of engagement. Well, the squaddies probably did. The higher ups not so much.

Oh, please. Oh, no. The broken glass. It was the back door. The glass one leading to the postage stamp patio and the cat-run I call a garden. I can hear movement in my house. I live alone. They’re here. At least someone is. More than one someone. Impossible to say if they’ve got their eyeballs.

Oh, No. No. No. No. I’m scared. I’m scared. I’m scared. I’ve been a coward all my life. I’m not ashamed to admit it. I spook easily. My imagination’s too quick; it’s the most active part of me and it’s showing me everything now. The intruders in my house, going room to room downstairs. My house isn’t big. Just a two-up, two-down and a single bathroom. And the attic with its completely obvious hatch in the ceiling. A hatch that even one of the Popped could see, I reckon, because I made a complete hash of getting up here. Least I had the sense to haul the ladder up with me and lay it across the hatch.

I wish I could just die, right now, explode my own heart with stress and check out early. I don’t want to be here. I’m scared. What am I supposed to do? There’s nothing to do is there? This is the end. It’s meant to be the end. It should be the end. But that’s the problem with the end. It’s not finished. Not yet. I want it over. I don’t want to be here. I’m scared. But I’m so afraid of it ending. Of me ending.

I’ve seen all the horrible ways the end has come for others. The internet was full of it. So many people filmed it. Hash-tag “Game Over” was everywhere, like it was some joke. Or a horrifying new trend that would die down along with its followers. No one really believed it would come for the rest of us.

There are definitely people in my house. They’re making noise. The floorboards beneath me are creaking. Someone just went in my bathroom. There’s this particularly creaky floorboard in there where the floor dips and groans a bit. I don’t hear voices. But I wouldn’t if its some of them. The Gamers. The helmets eat their voices. Only those in the ‘Zone’ can hear each other talk.

What will they do when they find me? And find me they will. Gamers know how to clear a level. They know how to find you out in every nook and cranny. Oh, sweet mercy. Shut up, cat! Don’t meow at the hatch. Please. Shut. Up. I’ll let you out once they’re gone, I promise. Don’t get me killed, Tom.

When everything was still just a crisis and everyone thought we’d limp through it like we had all the other crises, the news broadcast stories about Game Overs. Sometimes they filmed special forces going after the Gamers. I heard there was footage online of a few of them getting de-helmeted. I didn’t watch. I’d already seen a Pop-Squish. I didn’t want to see anymore. The helmets, once on, don’t come off, see. Gamers are all in the Zone. The ooze sustains them. No one figured out how in time to do anything about it. The developers were the first victims, see. A case of the ‘Author is Dead’ we really should have been more worried about. Because the game went on. And it got bigger.

I think they’re in the spare bedroom. I don’t know what they’re doing in there. It’s not an interesting room. I doubt there are any power ups to be had. Maybe that will be my salvation? My house is too boring to have any loot drops. The Gamers will leave. I’ll let the cats out, sneak downstairs and drink some bleach or something. Or find some medicine that will kill me gently. I don’t know.

I wish this was over. I wish someone would save me. I wish I could just turn off and let go and vanish without a thought. I’m scared. I’m so scared. I don’t know how to fight back. I don’t want to fight back. I want to go downstairs with my cats. I want the real world back with all its ignorable problems. But that’s all gone now. Only the Game remains.

There’s a lot of noise below me. They’re dragging furniture over the carpet into the hall under the hatch. The cats flee to the far corners of the attic. I’m sorry Tom. I’m sorry Molly. I should have let you run when you had the chance. But I wanted to cling on, see. I wanted to hold on tight to the old world. The real world. I wanted to keep it alive the way it’s supposed to be until the end. That was selfish of me. Now I’ve killed them too.

I can’t see anything but dancing spots of gloom in the dark. My eyesight is like snow on an old analogue TV. It breaks up and nothing is there. But my ears and imagination fill in for my eyes. The ladder in the middle of the floor is juddering. The trapdoor is rattling. Someone is pushing it from below. This is it. The end.

I wish I wasn’t so afraid. I wish I could say I’d tried. But I wasn’t built for survival horror. I wasn’t designed for this. Goodbye Tom. Goodbye Molly. I love you and I’m sorry.

The ladder judders again, once, twice, thrice. It bounces away. The trapdoor pops open. I see the bright red laser-pointer guiding light on top of a helmet. It skewers me right between the eyes. I huddle against the wall. I duck my head and cover my face. I hear two words:

“Game Over.”

The Rabbit Hole Volume 5: Just…Plain…Weird

My short story Sweet Summer Swimming is featured in the writers co-op latest anthology, The Rabbit Hole Vol. 5, now available from Amazon and Barnes and Noble in ebook and print. Below is an extract from Sweet Summer Swimming, a tale of murderous jellyfish on the hunt!

There is no purpose, no will. No mind. The jellies float. They beach. They burn and they flounder. They feed and they sink back into the surf. They wait to be called home again. Some have fallen, some have multiplied. It matters not. They are jellyfish. There is no will. No mind. No wonder why.

There is only the tide, the spasm of sensation. The hook and the cry and the flail and the catch. There is the pulse and the propulsion, the sudden arrest, the split and the shatter. The sink and the swim.

They are come, they are go, they know not which. They are the jellies and they are here and they are gone. Time is immaterial when there is only the float.

The tide comes in and the jellies rise to meet it.

Interested in reading more of my weird and creepy stories? The Innocent Have Nothing to Fear a collection of ten horror-fantasy tales is available on Amazon

Short Story – It Happened on a Tuesday

It Happened On A Tuesday

On Tuesday 4th, Clive Screed woke up with a headache. Suze was still sleeping so he slipped out of bed and ambled to the bathroom to go through his usual motions before heading to work.

Clive had worked at Cordon and Bloom Accountancy for twenty years; he liked to joke that he was a lifer. He ran several blue-chip accounts and would’ve made the upper echelons of management if he’d possessed an iota of ambition. Instead, Clive possessed a much rarer gift, loyalty, and satisfaction in his work. He was a mainstay of the office; a touchstone for the company and an easy-going mentor for the junior staff. People liked Clive and Clive liked people.

This Tuesday was different. Clive had taken an aspirin before starting his commute to work but it hadn’t worked. The hysteria-tinged prattle of the radio announcer aggravated his headache as he joined the wind of traffic on the ring-round circling the town. Clive’s favourite station had given over most of its air-time not to the golden oldies Clive liked best, but to some drivel about a new strain of virus spreading around the country; Clive paid very little attention. It seemed to him that everyone now-a-days was a hypochondriac. He was forced to change station and this break to his contented routine further aggravated the drilling pain in his head.

He, therefore, entered the office at ten minutes past nine in an uncharacteristically bad mood, ignoring the usual round of half-heartedly cheery greetings from staff members pleased to see him but less pleased to be at work on a Tuesday morning. Clive tried to summon his usual joie-de-vivre while he checked his emails but an odd lethargy dragged at his mind, deflating his spirits. At ten-fifteen he almost cursed when the printer jammed and he caught himself glowering at Julie over the cubicle partition when she coughed too loudly. He was quite surprised and ashamed of himself. 

At a quarter past two, Clive was startled awake at his desk. This was shocking for two reasons, firstly, in twenty years Clive had worked at Cordon and Bloom he had never, ever dozed off at his desk and secondly, Julie was screaming.

Clive lumbered to his feet, limbs heavy and uncoordinated. He looked for Julie. Her cubicle next to his was a state. There was blood all over her monitor. Her keyboard dangled over the desk edge, hanging by its cable. Her swivel chair was out in the aisle. Clive tutted under his breath. He detested mess.

This was unfortunate as it appeared that the office had become a shambles while he was snoozing. There were papers everywhere. Cubicle partitions had been ripped from between desks and flung around hither and thither. Someone had planted their bloody handprints all over the off-white walls and Tim-the-intern appeared to be lying in the middle of reception in a pool of his own blood. Clive blinked in surprise, this just wasn’t the sort of behaviour one expected from Cordon and Bloom.

At least Julie had stopped screaming, which was a relief to Clive and some comfort to his aching head. He stumbled upon her body next to junior partner Aaron Carruther’s cubicle, she too appeared to have taken to lying on the floor in a very dishevelled state. Belatedly, he realised she was dead and took a moment to be shocked by that.

Aaron crouched over Julie, blood and drool spilling from his mouth. He yowled at Clive like an angry cat when he saw him, foamy spittle flying from his lips.

Clive reeled back in alarm. He hadn’t thought Aaron the type to go around eating co-workers.

Aaron lunged for Clive’s ankles and Clive fell back into Ranjit’s desk. He grabbed hold of the back of Ranjit’s swivel chair and slammed it into Aaron’s body as the younger man lurched at him. Aaron was not a fit man. He fell backwards, arse-over-tea-kettle as the saying goes. Clive dragged himself up and hurried toward the main doors.

It would be inaccurate to say that forty-three-year-old Clive ran from the office because forty-three-year-old Clive hadn’t done any running since his five-a-side footie team had disbanded when Jerry North went and immigrated to Australia (the lucky bastard). He gave it a good try though.

Rambling down the communal corridor in the office complex Cordon and Bloom shared with a photography studio and a dentist, he lurched drunkenly off walls and into the copier, before pausing briefly and cocking an ear to the screams issuing through the door to Doctor Chakraborty’s surgery. The door was locked and when banging his fist on the frosted glass pane failed to hail anyone Clive reluctantly moved on.

Clive did not meet anyone on the lower floors of the complex. There was evidence that someone had had a bit of a spill; Clive’s sensible black leather shoes sloshed deep into the blood-soaked shag outside Rogers Consultancy on the ground floor. Confused and vaguely concerned at the number of bloody accidents going on in the building, Clive fumbled his way out of the buildings glass doors.

The comfort of the quietude the abandoned office block afforded Clive was lost the instant he stumbled outside. There was a lot of noise and fuss, someone was yelling over a loudspeaker and some fool had put up cordons and police barricades all around the pedestrian plaza. That was just not on, in Clive’s opinion. The plaza was hazardous enough, what with fountain jets set into the ground and the European market setting up shop in the middle of the thoroughfare. The last thing anyone needed was for some jobsworth to turn the plaza into a literal obstacle course of cordons and sandbags and police tape.

Clive had reached the limit of his patience, which was his only excuse for roughly knocking over the cordon and lurching into the plaza. A low, guttural growl escaped him when he saw the broken glass, shattered market stalls and detritus of German sausages, French baguettes and peculiar knick-knacks strewn over the ground. Not to mention the corpses. Really what was all that about? Clive wondered. Since when was it acceptable to leave corpses all over the place? What did he pay his taxes for if the council couldn’t even keep litter and corpses off the streets? It was disgraceful.

Clive was not the only person left to fumble their way toward the distant barricade, a good number of rather unsightly looking ne’er-do-wells were shambling about, bouncing off litter bins and falling over benches. Some of them appeared to be picking at the corpses or fighting one another in a slow and disorganized manner. Clive wondered if these louts were responsible for all the mess.

He avoided the lot of them, ambling along the line of cordons toward the hub of noise and activity on the other side. The voice over the loudspeaker continued to blear out, but the voice was too distorted for Clive to understand. He fixed on the people – normal, unbloodied people—he could see on the other side of the thicket of sandbags, armed police and parked police cars forming a barricade in the middle of the plaza. What was going on here? Clive asked himself. It looked like a scene from one of those disaster movies Suze liked to watch.

Clive was sliding along the outer wall of the abandoned Japanese restaurant, edging closer to the nearest group of officers when one of them yelled and raised his gun. Clive rocked to a halt. A nice, urban lower-middle-class Englishman, Clive had never seen a real rifle before, let alone heard one fired. He fell over in shock, quite winded and unsettled by the whole affair. What the buggery was going on? Why was the police shooting at him? 

Had the whole world gone mad while he was napping?

Clive dragged himself away, frightened and scared. He took refuge in the narrow alley between the bank and the bakery where the winos liked to congregate. They weren’t there now. No one was. Clive slumped against the wall and sobbed. His v-neck jumper was all stained and bloody. His left leg shook uncontrollably, his foot bouncing over the concrete. Out in the plaza, the rat-tat-tat of gunfire and the bellowing of the voice over the loudspeaker merged into an incomprehensible cacophony that made Clive’s head hurt abominably. Above the buildings a helicopter whoop-whooped by.

Clive wasn’t sure how long he sat in the alley, surrounded by blood and the stench of stale urine. Time cycled by in a blur of muted sensation. The sound of helicopter rota blades slicing and dicing the air; the staccato bursts of gunfire; the distant roar of jeeps and truck motors; the occasional scream and the sharp, bright tinkle of shattering glass  — all of it overlaid by the blearing of loudspeakers.

It grew dark and it occurred to him that he needed to find Suze.

The plaza was a different place when he dragged himself out of the alley. There were a lot more rough-looking types shambling about, growing more aggressive now the sun had set. The barricade at the end of the plaza had been abandoned and all the storefronts sported broken windows and gutted displays. It was like the office all over again, all the order and civility of the town had fallen to ruin while Clive’s back was turned.

Charlemagne Boulevard was deserted; tire marks scoured the asphalt and concrete blocks had been placed over two traffic lanes, preventing cars from coming into the town centre. Clive saw the swirling flash of blue and white police lights further along the boulevard and approached the police car cautiously. The police had fired on him, a law-abiding citizen, but as a law-abiding citizen, it was still encoded in Clive to seek a policeman’s aid.

He was disappointed to find the car abandoned, the blood on the driver’s seat already dried. He moved off, feet slow and dragging. He was so blasted tired that was the problem. He couldn’t think right. Everything was topsy-turvy and his head would not stop aching. It was all wrong. Everything. All wrong.

He needed to get home to Suze; that was it. That was the answer. She’d be worried about him. He was probably late home. He hoped she had dinner on. He was hungry. Filled with a raw, empty hunger that opened in the pit of his stomach like a fissure and threatened to hollow him out. That’s how he felt, he realised. Hollow, like a gutted building. He was nothing but a façade of a man with all his vital bits missing.

Clive stumbled to a stop. He would be the first to admit he was not what one would call a deep thinker by nature. It wasn’t his way to question too much the why and the wherefore of anything. Life was for living, he always said, everything else will sort itself out in time. It was a bit odd for him to be getting all poetic, but he supposed he’d earned the right to get a bit maudlin, what with the day he’d had.

He mopped his brow with a limp hand, disgusted by the drool clinging to his lax chin. He must be coming down with something, he reasoned. He was all out-of-sorts. He had to stop outside the offy on Milden Avenue to collect himself. He picked up a packet of tissues but found Agnieszka indisposed and unable to take his money. He left the correct change on the counter and hoped her son would be along soon to pick up her body. It looked like some rotten soul had already taken a couple of bites out of her.

Clive picked up the pace as he passed by the primary school on Teft Street; he didn’t want to look.

The streets were so quiet. Clive had the ants up the spine feeling of eyes watching him from behind broken windows or shadowed garden corners, but he saw no one. The distant scream of sirens in other parts of the town came to him over the still air the only hint that anyone survived. 

Someone had driven a white van into the side of Mrs. Marchants’ house at the top of the street. Another car smouldered further down the way and Clive would be worried about the engine blowing, what with the flames he could see dancing under the bonnet and the audible crackle and pop of melting glass and tires were he not so hungry. It was all he could think about. That and Suze.

Suze and her Sunday roasts, her fat dripping potatoes and the way she melted the cheese on top of the shepherd’s pie just the way he liked, creating a little patina of golden-orange cheesy goodness on top. He started to salivate. He did love his Suze, what with her big hips and ample bosom. She wasn’t fast-moving his Suze, a bit clumsy all told. He hoped no one had gotten to her. He was so very, very hungry.

He slipped around the back of the house, entering through the passage that ran between his house and the neighbours and led to the back garden gate. The kitchen door was less secure than the front. He was so hungry he didn’t want to have to fuss around breaking in through the front window. What would the neighbours think?

He found Suze in the upstairs bathroom, cowering in the bathtub behind the shower curtain. She was in a right state. Screaming and crying hysterically when she saw him. He reached for her and she threw the shampoo bottle at his head.

Well, that was a fine to-do, wasn’t it? A man braves life and limb to get home to his wife and this is his welcome? A spark of anger lit inside him, causing his hunger to surge.

Suze wept and begged as he dragged her out of the bath. Her screaming and sobbing drove a spike of agony into his brain, jagged and rough. He couldn’t bear it. The incessant drilling in his head and the raw wound in his stomach combined in a crescendo of pain. Pain that only stopped when he took his first bite.

***

Interested in reading more weird and wonderful tales of monsters eating people? Check out The Innocent Have Nothing to Fear available now on Amazon, a collection of urban fantasy/horror short stories my yours truly.

Haunt Anthology – Out Now

My short story One-Eyed Queens and Crocodile Teeth is featured in Haunt anthology from Dragon Soul Press available on Amazon. Below is an extract from One-Eyed Queens and Crocodile teeth.

They say that in the land of the blind the one-eyed man is king. But you say bollocks to that, don’t you Cheryl? You’ve never had much time for kings. Nor men, for that matter. And seeing? Well, the blind don’t know how lucky they are.

Your problem’s always been the same. You’ve always seen too much. You see it all. The twisted bodies of the sprites that jump from tree branch to tree branch in a storm. The faces in the wind and the shadows at the periphery of the brightest day. You see the darkness and the darkness sees you.

But you managed. For years, you managed. You were nimble, you were tough; you saw it all and you asked no questions. Monkey sees, but Monkey don’t talk. You survived. You thrived. You were the one-eyed queen in the dark.

You cleaned house for the monsters, learning the lesson of every soul that’s ever been weak amid the strong and the mean; when you can’t fight and you can’t run, be useful. And you were. When wicked old Mr. Watkins guilt came for him, you were there, wiping the tiny finger trails off the windowpanes and ignoring the way the condensation ran like tears.

You spritzed and you squirted, you wiped it all away, but the fingers lingered, scraping invisible patterns over the pane as you turned your back.

When the shadows in the room sniffled and pawed at the smudgy walls, when the reek of ammonia and terror clogged your nose, you whipped out the polish until the room smelled like an orange grove in Andalucía. You scrubbed the walls until they shone like ivory. You swept trapped sobs from between the slats of the Venetian blinds and let them drift as dust to the carpet before you got the Dyson out.

When the cupboard doors rattled in the toy maker’s workshop, you kept your head down and never opened the doors. You never looked into the weeping eyes of all those little wind-up boys and girls with their too life-like faces. ‘Cuz you knew what you’d see.  But nothing gets the stink of evil out of the air, does it, Cheryl? Nor stops fear from leaking into the floorboards or terror from rising up the walls like black rot.

Though you surely tried, didn’t you?

If you would like to read more of my work you can find my horror-fantasy short story collection The Innocent Have Nothing to Fear on Amazon

Short Story – The Manchurian Sacrifice

Outside the bedroom window the doppler-wail of sirens screamed pass and brakes screeched as unmarked police cars careened around the corner. Mathilde heard the heavy, air-cutting whop-whop of a police chopper’s rotor blades from somewhere above her fourth floor safe house and paused in the process of applying her foundation.

The lights were low in the flat, the heavy curtain pulled almost closed, allowing only a hint of the chaos outside to seep in with the muggy, mid-summer air. Ninety minutes ago, the ambassador was murdered at a diamond tiara and black tux affair in the political heart of the city. The perpetrator was still at large.

But not for long. Mathilde looked down at the array of make-up spread out before her in disgust. All of it was department brand only, in a myriad shades of bland with the occasional splash of humdrum thrown in for added spice. The make-up belonged to Melanie. So too did the off-the rack party dress hanging from its hanger on the back of the wardrobe. A hideous thing, it looked like someone had beheaded and plucked the top half of an ostrich, while leaving the bottom fully feathered before applying silver sequins to the torso. Mathilde would sooner slit her own throat than wear it.

She clenched her fists. That was the point though, wasn’t it? Mathilde wouldn’t be wearing it. Melanie would. Stupid, bubble-head Melanie stumbling home from a work’s party with her hair in last season’s style, her face spattered in department store beauty and her backside waggling in feathered delight. God damn Melanie Tumbridge, orthodontic nurse, depressed singleton; a woman who had never travelled further than a trip to Sharm El Sheikh. A woman who spoke only English, and only just. A woman who could barely raise a hand to a spider let alone swat a diplomat straight off the mortal coil.

Melanie was her antithesis. Her nemesis. She was everything Mathilde despised in this world. And yet they had never met. Nor would they ever meet. It was impossible. Like a couple of cursed Gemini twins, she and Melanie were two minds trapped in one body, doomed to exist as nothing more than distorted reflections of the other.

According to the Division, this was the best way to protect operatives and prevent exposure. How could anyone hope to catch a killer who could cease to exist? No polygraph could catch out Melanie. Facial recognition technology could not account for two women with one face who shared not a single facial expression in common. Mathilde left not fingerprints, no traces, but even if she had it wouldn’t matter. DNA might be all but infallible, but the human mind was not. It was easy to fool a mind to disbelieve the eyes when confronted by a pudding like Melanie Tumbridge. Melanie would never crack under interrogation; never slip up. Because she could not slip. As far as she knew she had a full life of blah-blah-blah, don’t-forget-to-floss to account for every hour of her day.

Slowly, Mathilde breathed out, unclenching her balled fists. She flexed her fingers, encouraging blood flow. It did no good to get upset. Reaching up to unclasp the elegant tear-drop diamond necklace from around her neck she pooled the platinum chain in her palm, stroking a fingertip over the cool stone.

This was her seventeenth successful liquidation for the Division. She’d gouged out her legend from Barcelona to Bila Tservka, Phnom Penh to Perth, and criss-crossed the globe back again. She was the best. The diamond of the Division.

And yet, they thought nothing of erasing her.

Restless, Mathilde stood. The bedroom of the safe house was made up to look lived-in and was used by any operative who needed a bolthole in the city. It looked like a room someone could live in and maybe even like it. But not Mathilde. She had no home. She’d lived out of a suitcase since she was eighteen. A creature of purest utility, the Division had taken her and whittled down her softer edges until all that remained was something flat and hard and sharp enough to cut.

Was that why they’d made Melanie so fluffy? Melanie who wore a purple feather boa to a friend’s party unironically. Melanie who had a tasselled counterpane on her bed in her alarmingly aquamarine bedroom with its flat-pack white painted dressing table and backlit mirror covered in failed selfies. Melanie with her love of sour cream and onion flavour crisps and freezer aisle lasagne. Melanie. Melanie. Melanie. Why was it that her life with all its clutter and needless distractions filled Mathilde’s head even before the switch?

Mathilde paced between the bed and the door, on the far side from the window. She beat her right fist into her left palm, the diamond chain still around her wrist. If only she could pulp Melanie’s memory so easily.

It wasn’t supposed to work this way. Melanie was supposed to be the airhead armour that kept Mathilde safe. Melanie was meant to be the cipher. The pretender to the air they both breathed, and the life Mathilde owned. So why was it growing harder to escape her fluffy clutches every time Mathilde emerged from the Deep Sleep? 

‘It could be that increased duration increases the risk of false memory saturation,’ Jose had suggested the one and only time Mathilde had mentioned it after the job in Taipei. She’d had to go under as Melanie for nine months that time. Her revival had felt like a bad birth; she’d emerged into the light blinking Melanie out of her eyes, the memory of the bubble-head’s terrified pleading still ringing in her ears.

‘Why are you doing this to me? Let me go. I don’t want to die.’

Stupid Melanie. She couldn’t die. She wasn’t real. And yet…she felt real.

‘Naturally,’ Jose replied. ‘Deep Covers are meant to provide a fully immersive experience, or what’s the point?’ The technician had tossed the spent hypodermic into the medical waste bin.

Mathilde had watched him do it, thinking that everything she was had been condensed into that syringe. What did it say about Mathilde that she was the toxic agent that needed to be inserted to be brought back? Exactly who was the cover and who was the real person; the woman who died after every successful mission or the woman who lived in-between? 

Mathilde glanced at the digital radio on the bedside table –an old-fashioned thing without a connection to Wi-Fi. She was running out of time. She was expected at the rendezvous point in forty minutes. From there she’d be taken to one of the Deep Sites dotted around the city. Jose or another almost identical lab drone would sit her down, swab her arm and prepare to put her under. Another job done. Another small death as a reward.

What if she ran? Like a bullet from a gun, the thought tore a path through her mind. What if she ran and never stopped running? What if this time she didn’t consent to lie down and die to protect the Division? What if this time she lived and used what they’d taught her to spring from one hotel room to another, to dance across borders, to hew too close to enemy lines? She was the Division’s diamond, but to their enemies she was more precious than that.

Ridiculous. The Division was everywhere. It had its fingers in everything. Mathilde knew how it was. She’d seen behind the curtain. There was no escaping. And why would she want to? What life was out there for her, if not this one? A life like Melanie’s, full of banal pleasures and friendships with people who had no idea she was an empty vessel? Mathilde might have no one, but she had herself and her skills; her peephole into the world behind the curtain. Why would she give that up and risk death?

To live, a little voice whispered in her head. It wasn’t Melanie. The Happy Tooth Fairy wasn’t astute enough to realise Mathilde existed. The treacherous voice belonged to Mathilde, which only made it worse. Like a diamond, she was in danger of fracturing. Her fatal flaw exposed.

She twirled around the room, Melanie’s stupid dress fluttering around her backside. The tote bag with the needle mocked her from the dresser. The bag was Melanie’s. It had a pattern of cherries on it. Mathilde scraped the blunt nails of her hand over her palm, nipping her bottom lip hard enough to bleed. The weak, salt tang of blood was sour on her tongue.

Mathilde had her orders. Inject the contents of the syringe, head to the rendezvous; go to the Deep Site. Die so Melanie could live. Wait until the next time the Division needed its diamond agent.

Rinse and repeat.

Mathilde reached down to brush her fingers through the poofy feathers of Melanie’s dress. The other woman’s thoughts were seeping into her brain. Gemma would be at the party; she could ask her about Layla and Collette’s new baby and coo and ooh over pictures of tiny, wrinkled walnut people to her heart’s content.

She might call Iain; try and patch things up. Explain her odd disappearing acts. Maybe she and her friends would talk about the tailbacks and roadblocks caused by the assassination? Or maybe Melanie wouldn’t care about trivial matters of international espionage. Because Melanie had a life. A life that didn’t start and end with murder.

Mathilde frowned, swiftly reaching up to brush wetness from her face. Tears? Mathilde hadn’t cried for real since completing basic training. What was this? Had the Melanie-rot spread so far, so fast? She shivered, breathing through the hitch in her throat. There must be a glitch in the programming. She’d tell Jose and— The burner phone on the bed rang exactly twice. Mathilde flinched. It was time. She had to go. She was already late.

She swept up the tote bag, dug out the needle, prepped it with practiced, sure hands –and set about performing her second murder of the night. The drug hitting her blood stream was cool, soothing, washing away all regret and leaving only clarity.

It was almost a relief. Death was easy, after all. Mathilde understood it. It was all she understood. She’d leave the living to her enemy. Melanie was better at it. And then, after yet another bloody birth, she might finally have the strength to fix her broken whole.